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1、葫
芦 丝 乐 器 介 绍
Hulusi instruments introduced
Wicker Long grumble, Dai, painting, Dieng, Kawa,
Brown and other ethnic Shan Ming huang gas instruments.
Dai language that wicker Long grumble, "wicker"
Dai nationality gas Ming instruments call the
shopping strip, "Long" is directly
affected, "garrulous" is the real
intention to take up the wicker straight winds.
Words such as painting Le Weng, "Lo Le"
xiao, "Weng" is just aimed for up
xiao. Tribe said Mme, "cloth" is blowing,
"Lai" is the real intention of blowing
up. Tribe throughout dialects as Milun, Biggar
Po, Woge Po. Kawa language worship Hong Liao
said, "worship" is a pan-huang student
said, "Hongliao" is just aimed to
bring up the metallic reed wind instrument.
Golden West League as buildings. 'm called upon
with Georgia. In Dehong Dai region circulating
a moving story : ancient times, in large surplus
river, a large family of the girl lived, Mingjiaolangmu,
covered the riverside One is the middle man
called two neighboring Bulgaria. Langmu Guo
Jiang went Street, this two-day sitting in the
middle H Paul, two intriguing, agreed each other
again. Congjiang day, occasionally a small bottle,
they found Langmu letter : because my children
are very strict, and you can not be singing
in antiphonal style man, you mind if I have,
in just below ten bamboo tube until night, the
wall came to my home, we blow up and thumb through
a system wicker Long grumble, Cheong to tears.
2 Paul every night to sign to his and his family
were evicted. Langmu prohibited deep house,
listen to music lovers remember, died shortly
dies. 2 Paul remained, the daily night Zoucunchuanzhai
play beloved wicker Long grumble, this strong
sense of love story to Daijie children. Dai
civil also legends: long ago, a hill hung out,
a man puts a large bottle Daijie, leaped sea,
rescued his beloved girl. He moved loyalty not
love Chongqing Buddha, the Buddha of bamboo
tube inserted in the bottle, to the brave young.
He scooped the bottle, blowing out the beauty
of music. Suddenly, the wind waves from Ping,
flowers, peacock opened the screen and wish
to lovers auspicious and happy. Since then,
wicker Long grumble at the Dai people from.
In the seventh cottage, a long time ago, one
pair of young men and women live in has had
a love and mutual gift to the betrothed. Matchmaker
seven days to Yueqin, Edie too handful of poor
women is not consent. To stop responding to
his pro-family string, girl Edie pitched a shack
in the mountains forced daughters guard hills.
He did girl sitting uneasy night, but went to
the bamboo house of the beautiful girl Milun.
Her mother moved to tell him what happened.
He arrived shack, saw line has left swing that
the girl was formed cylinders Pago too, he became
a good front Milun, but could not see her to
greet him. After he climbed up the stairs, only
one leopard in his beloved girl away. He pulled
out a knife and cut leopard head. Good girl
buried corpses, hanging out with the girls,
bracelets, to the leopard head, tail, the bamboo
house of the girl to hold a memorial service
for, putting Milun fall until the middle of
the night just to leave. The next day, her mother
saw stained with the blood of necklace, bracelet
and leopard head, tail, it suddenly deaf in
the past. This unfortunate young lovers, shook
the entire Tribe cottage. Thereafter, the parents
are no longer non-interference in the marriage
of their children. Until this day, in Yunnan
Province Dehong state Yingjiang, Lianghe and
three Taishan, Tribe held the wedding, also
must play "Milun songs." Wicker Long
grumble of a long history, its origin can be
traced back to the pre-Qin era, it is the transformation
from the evolution of Taiwan sheng. Construction
still maintained in the ancient musical instrument
of war system, the number of working with the
sound of the flute of the same three, and not
two deputy and the ancient xiao Yinkong also
identical, and issued five times forcibly sustained,
and the ancient flute "and the sound of"
very similar. But it has been opened for seven
Yin Kong, and the future generations vertical
wind Xiaodi very similar, and show it in history
leap. 1964, Yunnan Dali Bai nationality Autonomous
Prefecture Xiangyunxian big waves that wooden
construction shaped copper coffin tomb unearthed
something up, it is wicker Long garrulous first
box. This copper sleeve, 16.7 cm-high, one side
of his mouth long circular, irregular bottom
of a Bian Kong (3.9 cm x 3 cm). Arms decorated
with string mesh patterns. Its bottom just be
inserted into a bamboo Bian Kong and two smaller
competent deputy managing. The tomb of the Warring
States period. This is my only current knowledge
learned in the early passage wicker Long grumble.
Engineering Dai people versatile, love. In the
festival, either in the river or the dragon
boat is on Ko Shing covered the riverside (produced
by bamboo tube rocket territories), or placed
in the square up or in bamboo house where drinking
feast, the song can be heard moving voice. Zambian
Kazakhstan (civil singers) in wicker or wicker
Long garrulous the accompaniment of ancient
legends and stories beautiful myths, the old
stories of suffering and social well-being of
the new society. It is very unique wicker Long
garrulous music, unique shape and construction.
It consists of resonance box, sound management
and installations composition (Figure). Resonance
boxes use a waist-up production from the integrity,
bottom drilling, fish out to seeds, up hilt
- insertion of a non-section of bamboo to his
mouth. Effectiveness of different sizes into
the bamboo tube produced by Festival remain
closed intermediate vision, low extremity mouth
open, and three or four more to manage the side
inserted up cars. Each Genyin control by the
Department set a bamboo node below 1 cm metal
installations. Ranging from the use of copper
or copper alloy silver, box huang day in the
teeth huang, a 20 meridian east-yui triangle.
Insert sound of one part of the ridge whip up
Neiqiang, using beeswax closed fixed so that
the box does not leak. The tone of intermediate
rough for the most competent, and 30 cm 30-40
cm long, 1.5 cm diameter ~2 cm, and is open
seven (former VI) circular by Yin Kong, the
deputy of the side, above only installations
not opened by Yin Kong. Competent to issue an
eight degrees melody tone, and only made a sound
deputy. 3 control, bass management made vice-Type
tonic, Tenor above 5 degrees made deputy managing
(or four times) sound. Four regulators, a deputy
of Treble, made high-octave tonic. Deputy control
pitch, but also vary according to region. Wicker
Long grumble a treble, bass, three interviews
for the different ethnic, use wicker Long garrulous
vary. Music, and his vertical ownership. His
mouth Faces Upward, including the side in the
mouth with fingers around the release Yinkong,
in the right hand, by using his thumb back Kong,
index finger, middle finger and ring finger
on the positive side side Sankong, his left
index finger, middle finger and ring finger
at the San Kong, airstream vibration installations
and at the same time entered into various management
and pronunciation, volume smaller. Wicker Long
grumble because large and small, the length
of the different sound of the high-low and pronunciation
are different. Treble wicker Long garrulous
third Kong for a more vigorous #c ** ** ** 1-
2, Tenor wicker Long garrulous Kong pitch three
more to f ** ** 1 1-a, bass wicker Long grumble
for three more pitches Kong 1-f ** d ** 1, are
a range of eight degrees. Treble wicker Long
garrulous colours bright, pure net; Tenor wicker
Long garrulous voice soft, mellow and full;
Bass wicker Long garrulous sound simple and
honest, deep. Generally, the colors for images
and B, in the name of the deputy of sustained
sound, gives a subtle, light aesthetic. Because
it is like playing the vibrato perceived as
becoming soft silk Chou, had called wicker Long
grumble. Techniques commonly used by the main
vibrato, portamento spit cream on. Portamento
more to imitate Zambian Kazakhstan singing,
particularly the application of the above portamento
more. Nationalities nor with the use of wicker
Long grumble, usually people like to play Treble
wicker Dai Long grumble, Kawa, Dieng, Brown
and other communities love blowing tenor wicker
Long grumble, Achang nationality are often blown
bass wicker Long grumble. Achang nationality
of water Le Weng, and Dai wicker Long garrulous
similar. Taiwan has a close relationship with
the Achang nationality, the ancient Greek had
"Nine is a pretty off the" legend,
stress is up Creation, Achang nationality special
love of the people still got, and it will carry
water Le Weng, allegedly play up to be heard
ancestors "teach." Achang nationality
water Le Weng, and the use of large bamboo tube
manufactured up, Lucas 6 cm long, 50 cm long
head, deputy managing respectively 17 cm long
and 33 cm in two deputy heads of the near side
low extremity, each have a single, with a small
flat head tied together. Recital up, deep voice
simple and honest, superior U.S. appealing.
Tribe of wicker Long grumble, is endemic to
the Lincang Prefecture town farmer said Woge
Po, is the wicker with Dai Long garrulous similar,
but only one deputy managing, and the main and
deputy tube sound the same; Is endemic to West
County Lu Dehong states that the three Taishan
Milun, vice tube sound with the same charge
back Kong pitch, play, sustained sound like
a long colored ribbon floating in the middle,
tend to show special. In Golden West League,
the shapes of buildings and the wicker Dai Long
grumble very similar, but the tone is more boring.
Particularly unique is that in addition to the
seven by the competent Yinkong, in the most
positive side also opened two holes. Competent
performance melodies, made up of two Deputy
pure 5 degrees interval sustained tone for the
melody accompaniment. If no single continuous
sound or needs sustained tone, the deputy managing
low extremity of the mouth may be stopped. Wicker
Long garrulous mainly for solo or ensemble self-entertainment,
good play folk tunes, civil, the most suitable
for easy music or dance music playing melodies,
tunes sound more generally long, rich chorus,
band playing harmony to perform better express
the feeling. - Unification performed will be
"tears tone," and "cry -"
and the "old" and "singing tone",
"anything that", "open"
and "Mountain Song-tune." Wicker Long
grumble at Dai, painting, and other communities
in Brown widespread, the most popular. In Dehong
state Luxi, Ruili and other places, whenever
time Street (five days a) days, civil musicians
often sell home-made wicker Long garrulous comprised
of musical instruments. Wicker Long garrulous
practices are closely linked with national customs,
a young man staff in love as a sign express
ideas often use. He will not blowing or blowing
if not good wicker Long grumble, it is difficult
to obtain her love, so He is not only a labor
of backbones or play wicker Long grumble to
the hand. And the girl were based on different
tunes can, tell their love of music. Now, wicker
Long grumble, music is love, when people walk
on the road or in their fields intermittently,
often seen wicker Long grumble, it does add
to many people's lives happy. Whenever the girl
out man, they play is the unique instruments
civil -- wicker Long garrulous moon hanging
high above, the occasion when, on the southwest
border, and in Ruilijiang large surplus bank,
often from Daijie beside the bamboo house, Achang
nationality from the village, began operating
after beautiful sound, beautiful Tianrun, highly
appealing tunes of music, This is the young
man who invited beloved.
2、葫芦丝演奏姿势要求
Hulusi playing posture request
Hulusi in concert, the atmosphere for smooth,
natural coordination body for musical and generally
require the use Zhanzi musicians in a concert
performance. Of course, sometimes in practice
or playing Hulusi also be holding its demands
on physical spaces with Zhanzi same. However,
the atmosphere is not affected by the operation,
the seat height should be chosen accordingly,
Tap feet to be separated, but not cross-feet
or legs. Help recorded songs (bis) legs slightly
open and broad, depending on the upper floor
front. Founder lax Liangzhou lowered, holding
musical instruments spaces center. Wrist flattened
"pine, air, spirits," his mouth to
the lips contain spaces.
3、葫芦丝按孔部位及方法
Hulusi Kong area and the methods
Hulusi Kong by the use of correct master key
and methods conducive to the playing of musical
instruments and performance. Under Hulusiyinkong,
the right hand part of a right hand seat mounted
tonic of three, four Yinkong between the back
with the right hand ring finger, middle finger,
index finger section I refer belly separate,
closed one, two, three Yinkong small points
belly naturally attached to one Yinkong part
tonic control side, to the other three that
in a, b, c Yinkong the open, closed position
and to support and balance to the role. Left
hand part of a thumb on his left hand and try
to stomach (for open or closed) tonic control
back by the seventh Yinkong with his left hand
ring finger, middle finger, index finger section
I refer belly open or closed, respectively four,
five, six Yinkong small points attached to the
belly of natural Deputy tone control side to
match the other three in Yinkong that the open
eye movement.
Note:
1. Secured to the sound of the little finger
side about not fixed intact, should be based
on performance, the flexibility. As the use
of three means (that is to shut 456 sound Kong)
playing, right hand little finger should be
affixed adjacent to one of Yin Kong, and left
little finger will naturally with the music
uplift. This is the only way that does not affect
the performance of the three flexible use. When
referring to the use of three (a blind 123 Kong)
playing, the left hand little finger should
return to the position of deputy, and with the
right hand pinkie that can naturally perform
uplift.
2. Yin Kong in the press (both closed), must
use the provisions of section I refer belly
fingers by Yan Yin Kong will not leak, it will
affect the tone match and colours. Hulusi in
concert, should enable arm and wrist relaxed,
fingers moderate to Lane bending. Yinkong open,
fingers not feel too high, will be affected
by excessive speed and flexibility, but not
too low, too low and would affect the tone match
level.
4、葫芦丝演奏用气方法
Hulusi by using gas methods
Good atmosphere Hulusi use is an important element
of good performance. To note the play of the
rich, strong, clean, Melody natural, even, smooth
and beautiful words, we need to study and master
the correct play like good use. As we all know,
people's daily life natural breathing methods,
the inhalation of breath experienced, the atmosphere
is a weak arm, the atmosphere is guaranteed
to be playing musical instruments, like the
demand. Play musical instruments, to ensure
sufficient capacity to support the atmosphere,
at present, we normally perform in the chest
mixed use more scientific methods to breathe
Hulusi, Crescent performances. The advantage
of this method is more like the inhalation volume,
breath, it is easy to control the strength atmosphere.
How to use chest mixed breathe? We can adopt
some feel for everyday life experience. For
example : the assumption that the dried flower
fragrance in your nose, you will have to deep
breathing. In sniff process is completed, into
breath (inflatable) stage. At this time, we
maintain inhaling the atmosphere through Yao
Ji and horizontal control to the controlled
atmosphere, controlled even slow exhale (flute),
the airstream should be steady breeze, even
not appeared strong and weak nature.
In the training of breath control, we can play
long into practice, can take silent exercises,
a small piece will be placed bottom end, the
inflatable practice so easy to see whether the
blow and move small piece cool evenly. Blow
and move paper should try to practice in some
long, and could also be blown away their clutches
air currents, when you can feel the strength
and duration of air currents flow.
To meet Hulusi in concert on the square, at
the request of the actual performance, for musicians
in a relatively brief period of rapid inhaling
quantities of air, then exhaled breath, it called
for "quick inhale slowly called,"
that is, using the mouth, nose and sniff, so
in a relatively short period of time will be
like inhalation, according to the music demands
will like the controlled blown out.
Also note that the actual performance of the
sniff, inhale or exhale each breath is not the
spirit are the same number, not mechanical,
rigid manner sniff, breath, and should be based
on the length of phrases, strong or weak, such
as speed, flexibility to use or own decency.
Only in this way will not make muscles, like
tension and impact play results. After a period
of repeated training, we can gradually master
the use and control of a single．
5、如何解决音吹奏不准的问题?
Sound
solution to the problem of how to play?
(1) compliance with the standards required inspection
instruments : the pitch, tone match accuracy,
tone quality is good appearance.
(2) examine the performance of the opening fingers,
whether in close compliant. For example : close
Yinkong, called Kong must use that belly fingers
at the Yan Yin Kong will not leak, the fingers
open, fingers have a certain distance away from
Yinkong not close, it will affect tone match.
(3) the use of control and atmosphere is good.
Play musical instruments, the operation should
be a smooth atmosphere, balanced and not left
strong left weak. Attention to play bass, like
high-strength control, namely in play bass,
the atmosphere should be some strong (cylinders
tone for the "Sol" features play bass
"MI" exception). Play Treble, the
atmosphere should be correspondingly weakened
some. See "music knowledge" of the
finger method table.
6、月光下的凤尾竹
Under the
moonlight the Multiplex
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